27 Face Framing Highlights 2027 for Sun-Kissed Hair
Face framing highlights are the strategic placement of lighter strands around the front of the hair, designed to add dimension and draw attention to the face. In 2027, the trend leans toward softer, lived-in color paired with curtain bangs and glossy natural texture, moving away from chunky stripes and poker-straight styling.
This collection of 27 Face Framing Highlights ideas spans from chin-length bobs to mid-back layers, covering both low-maintenance blends and bolder contrast pieces. Whether your hair is fine, thick, straight, or curly, there’s a version here to fit your routine. These looks solve common struggles like fine hair that falls flat, a visible grow-out line, or a fringe that won’t sit right.
Chin Length Angled Bob With Curtain Bangs

An angled bob earns its keep on fine hair because the shorter back stacks weight where you need it, while the longer front creates movement that straight textures often lack. The curtain bangs part down the middle and sweep to each side, softening the line around the cheekbones without stealing the cut’s sharpness. Ask your stylist for: chin length angled bob, curtain bangs, blonde face framing highlights. Fine to medium density straight hair takes to this shape best, and the soft fringe flatters round and heart faces by breaking up the width. Blow-dry the bangs first with a round brush to set the curve, then plan on a trim every six to eight weeks to keep the angle crisp.
Chin Length Bob With Bold Money Piece

Wondering how to get that bright strip of blonde right at the front without committing to all-over lightening? The money piece does exactly that, and on a chin length bob it reads as a deliberate choice rather than an accident. Ask your colorist for: bold blonde money piece, light brown base. The side part lets the lighter pieces fall forward, which gives the cut more depth than a uniform color ever could. Medium density wavy hair holds the subtle waves without going flat, and the shorter bangs keep the face open. A texture spray adds grip at the roots, then a trim every six to eight weeks keeps the bob’s line clean.
Collarbone Lob With Warm Blonde Balayage

Balayage is painted freehand, which is why the warm blonde here melts into the dark brown base instead of stopping at a hard line. The face-framing money piece pulls the light forward, making the collarbone length feel less heavy and more dimensional. Ask your colorist for: collarbone lob, warm blonde balayage, face framing money piece. Medium density wavy hair carries the loose waves well, and the lighter pieces soften the jaw on square and oval faces. A sea salt spray adds texture without weighing the waves down, and a toning appointment every eight to twelve weeks keeps the blonde from drifting brassy.
Mid-Back Layers With Honey Blonde Face Framing

If you compare this to a subtle all-over highlight, the difference is the payoff: the honey blonde pieces sit right at the front, so the color does the work of framing while the rest stays dark. On thick, wavy hair, the contrast reads as depth rather than streaks, because the long layers let each wave shift the light differently. Ask your colorist for: mid-back length with long layers, honey blonde face framing highlights. A middle part balances the symmetry, and the length suits most face shapes since the lighter pieces can be tucked or left loose. Air dry with a diffuser to keep the wave pattern, or use a large barrel iron for a smoother bend. Trim every ten to twelve weeks to maintain the layers.
Mid-Back Blowout With Caramel Face Framing

A blowout this smooth takes time, and that is the honest trade-off: the soft waves and the warm caramel pieces that frame the face last about as long as you are willing to spend with a round brush. Thick, wavy hair gives the blowout something to grip, and the long layers keep the weight from pulling the style flat. Ask your colorist for: mid-back length with long layers, warm caramel face framing highlights. The middle part lets the caramel sit evenly on both sides, which suits most face shapes without much fuss. Use a heat protectant before you start, and set the waves with a large barrel iron if your natural texture fights the bend. The drawback is the upkeep: this look is salon-only, and a trim every ten to twelve weeks keeps the layers from growing out shapeless.
Collarbone Lob With Caramel Face Framing

This collarbone lob with layers actually earns its keep on medium-density wavy hair, where the caramel face framing highlights add warmth without overwhelming the base. The middle parting and face-framing pieces soften square and oval faces, while the soft wave blowout gives the whole cut movement. Ask your stylist for: collarbone lob with layers, caramel face framing highlights. To keep the waves from looking flat, twist sections before drying and let them cool before touching them. The lob needs a trim every six to eight weeks to hold its shape at the collarbone.
Mid-Back Blonde With Lighter Blonde Face Framing

Keep the lighter blonde highlights away from the roots on fine hair, or you will get a stripe effect that looks harsh instead of dimensional. With a mid-back length and long layers, the lighter blonde face framing pieces should start a couple inches down the strand. Ask your colorist for: mid-back blonde with long layers, lighter blonde face framing highlights. This placement lets the finer texture at the root stay soft while the brighter pieces catch light around the face.
On straight, fine hair, a middle parting with a slight wave keeps the style from looking too severe. A smoothing serum helps the lighter pieces sit sleekly against the darker blonde base. Toner every six to eight weeks keeps the lighter blonde from going brassy, especially if you wash more than three times a week.
Long Wavy Hair With Blonde Face Framing

The blonde highlights sit right where the sun would hit, which is why this long wavy style feels made for summer. A dark brown base with strategically placed blonde face framing pieces gives the hair that lived-in, just-returned-from-the-beach look without committing to an all-over color change. The wavy texture lets the lighter pieces peek through naturally, creating contrast and dimension along the face.
This long wavy hair with blonde highlights works best on medium-density hair that holds a wave. Ask your colorist for: long wavy hair, dark brown base with blonde face framing highlights. A lightweight styling cream keeps the waves defined and the ends hydrated, which matters more as the hair gets longer. Plan a trim every ten to twelve weeks to keep the ends healthy without losing length.
Collarbone Layers With Curtain Bangs And Balayage

To get the balayage to actually frame your face instead of vanishing into the rest of the color, ask for specific placement, not just a general sweep. On thick wavy hair at collarbone length, the dark blonde balayage should be painted heavier around the face, with the curtain bangs picking up enough light to keep them from looking flat. Ask your colorist for: collarbone length layers, curtain bangs, dark blonde balayage with face framing highlights.
Curtain bangs soften round and heart faces, and a middle parting lets them fall naturally to either side. A volumizing spray at the roots gives the blowout some lift, so the waves do not weigh down the thick texture. The baseline and bangs both need a trim every six to eight weeks, since the bangs will creep past the cheekbones quickly.
Collarbone Layers With Bold Blonde Money Piece

The bold blonde money piece is the first thing you notice, which is exactly the point. On this collarbone-length cut with long layers and a dark brown base, the bright blonde pieces are painted only at the front, framing the face with a contrast that needs no other embellishment. The loose waves and middle parting let the money piece fall forward naturally, so it becomes a deliberate focal point. Face-framing pieces like these soften square and oval faces, and the long layers keep the cut from feeling heavy. Ask your colorist for: collarbone length with long layers, bold blonde money piece. A texturizing spray at the roots helps the waves hold, and the layers and baseline need a trim every eight weeks to maintain the shape.
Collarbone Textured Lob With Pearl Blonde Money Piece

A pearl blonde money piece is a commitment, not a flirtation. This collarbone-length textured lob pairs a mushroom blonde base with that bright, face-framing strip, and the side view shows exactly how the contrast lands. Face-framing layers keep the brightness aimed at your features. It suits medium-density wavy hair that already starts at the collarbone, and the soft layers help round out a square jaw or add width to a long face.
Ask your colorist for a collarbone textured lob with face-framing layers and a pearl blonde money piece. The upkeep is where the wry part comes in: pearl blonde turns brassy faster than you can say “toning appointment.” Plan on a toner every four to six weeks, and accept that air-dried waves need a curl cream scrunched in while wet. The lob itself needs a trim every six to eight weeks, or the texture starts looking like a bad wig.
Mid-Back Curls With Bright Blonde Face Framing

For thick, wavy hair, bright blonde face-framing highlights are the rare upgrade that actually works with volume instead of fighting it. This mid-back length cut with long layers and a middle parting lets the dark brown base stay grounded while blonde pieces around the face lift the whole shape. It flatters most face shapes, though the long layers are especially kind to round faces because they add vertical line without sacrificing curl.
Ask your colorist for mid-back length with long layers, no bangs, and blonde face-framing highlights that start a few inches from the root. The voluminous curls need a curl-defining cream and a diffuser to hold their shape, and the blonde tone will need a toner every eight to twelve weeks to stay bright instead of brassy. Skip this if your hair is fine and falls flat quickly; the contrast works best when there’s bulk to carry it.
Shoulder Length Shag With Auburn Highlights

Compared to the bold money pieces everywhere else, this shoulder-length shag with subtle auburn highlights takes a quieter route. The choppy layers and full fringe do the talking, while the dark brown base with auburn woven through adds warmth. It suits medium-density wavy hair starting at the shoulder, and the shag’s internal shape flatters round and oval faces alike because the layers create movement around the cheekbones.
Ask your stylist for a shoulder length shag with choppy layers, a full fringe, and subtle auburn highlights placed throughout. A texture spray will get you that lived-in finish, and the shag needs a trim every eight weeks to keep the choppy ends defined.
Mid-Back Espresso With Subtle Caramel Face Framing

The practical rule with caramel face-framing on an espresso base is restraint. This mid-back length cut with long layers keeps the caramel subtle, just a few pieces around the face, so the soft waves in the blowout show dimension without a highlight explosion. It suits thick, wavy hair starting at mid-back, and the long layers work for most face shapes because they elongate and soften at the same time.
Ask your colorist for mid-back length with long layers, espresso brown, and subtle caramel face framing pieces that stay a few shades lighter than the base. The mistake people make is letting the caramel go too light or too close to the root, which turns the espresso into a muddy contrast. Keep the caramel a hand’s width from the scalp and it will blend beautifully. A smoothing serum keeps the blowout polished, and a trim every ten to twelve weeks maintains the shape.
Mid-Back Ash Blonde With Curtain Bangs

Ash blonde with darker roots is the fall transition look that does the work for you. This mid-back length cut with long layers and curtain bangs parts in the middle, and the face-framing layers catch the cooler tone while the darker roots add depth at the scalp. It suits medium-density wavy hair starting at mid-back, and the curtain bangs are particularly good at softening round or heart-shaped faces because they angle away from the center.
Ask your colorist for mid-back length with long layers, ash blonde, and curtain bangs with face framing layers. A purple shampoo keeps the ash from drifting yellow, and the bangs plus the baseline need a trim every six weeks to stay in shape. The darker roots mean you can stretch the grow-out longer than a full blonde, but the ash tone will fade to a warmer blonde by week eight, so plan a toner for that point.
Medium-Long Soft Brunette With Toffee Highlights

The toffee caramel highlights here are placed strategically so they catch the light when the loose waves move, without creating a stripe effect. On thick wavy hair, the extra weight means the layers stay visible rather than collapsing into one lump of texture. The honest drawback is that thick waves can puff up if humidity hits, so a lightweight smoothing cream is your friend. Ask your colorist for: medium-long length hair, soft brunette, toffee caramel face framing highlights. A toner every eight to twelve weeks keeps the warmth from turning orange rather than golden.
Collarbone Ash Blonde With Platinum Face Framing

How bright do you want the contrast between the ash blonde base and the platinum pieces to be? Specify that distinction before the bowl, because a subtle difference looks like grown-out highlights, and a dramatic shift looks like this photo. Fine wavy hair at collarbone length benefits from the distinct face-framing layers, which add the illusion of volume without extra weight. Ask your colorist for: collarbone length layered cut, fine ash blonde, platinum blonde face-framing highlights. Plan a toner appointment every six to eight weeks to stop the platinum from drifting into yellow.
Collarbone Dark Brown With Ash Blonde Face Framing

The ash blonde pieces are hand-painted starting near the roots, then softly blended into the dark brown base so there is no harsh line where the color begins. Collarbone-length wavy hair with medium density carries this contrast without looking top-heavy. The curtain bangs help the face-framing highlights wrap around the cheekbones rather than sitting too far back. Ask your colorist for: collarbone length with long layers, dark brown base, ash blonde face framing highlights. A smoothing serum on the mid-lengths reduces frizz, and the baseline needs a trim every eight weeks.
Collarbone Medium Blonde With Curtain Bangs

Curtain bangs at collarbone length are softer than a blunt fringe and less maintenance than wispy bangs that demand daily reshaping. The lighter blonde highlights here wrap around the face and blend into the curtain bangs, so the color and cut work as one unit rather than two separate decisions. Medium density wavy hair holds the shape of a wavy blowout without needing tongs on every section. Ask your colorist for: collarbone length layered cut, medium blonde, curtain bangs with lighter blonde highlights. Trim the bangs every six weeks to keep them skimming the cheekbone rather than the jaw.
Chin Length Ash Blonde Bob With Soft Layers

A chin-length bob with soft layers moves differently than a blunt bob: the ends feather rather than thud against the collarbone. Fine wavy hair at this length benefits from the lighter blonde face-framing highlights because they add visual depth to a fine texture. The real drawback is that ash blonde on fine hair can fade or pull brassy faster than on thicker strands, so a purple shampoo is not optional. Ask your stylist for: chin length bob, ash blonde, lighter blonde face framing highlights with soft layers. A texturizing paste gives grip to the ends, and the bob needs a trim every six to eight weeks.
Mid-Back Dark Brown With Ash Blonde Face Framing

Ash blonde face-framing highlights on a dark brown base create a contrast that reads as intentional rather than accidental, especially on thick, wavy mid-back length hair. The middle parting and loose waves let the lighter pieces sit exactly where they should: around the jaw and collarbone, drawing attention upward. This combination works well for anyone with thick hair who wants dimension without a full commitment to blonde. Ask your stylist for: mid-back length with layers, dark brown base, ash blonde face framing highlights. A smoothing serum keeps the shine even across both tones.
Curtain bangs soften the transition between the two colors, so the grow-out line never feels abrupt. The contrast is strongest in the first six weeks, then settles into something more blended. A trim every ten to twelve weeks keeps the layers and the shape intact. The one real drawback is that ash blonde on dark brown can pull slightly green if the base has warm undertones, so a toning appointment around the eight-week mark is standard.
Mid-Back Blonde With Platinum And Ash Highlights

The mistake most people make with platinum and ash blonde highlights on fine wavy hair is going too heavy with the lightener, which leaves the mid-back length looking sparse rather than dimensional. A better approach is to keep the face-framing pieces fine and the long layers soft, so the color lifts without the texture suffering. The loose waves and middle parting in this version spread the lighter strands evenly, preventing the flat, strip-y effect that happens when fine hair is over-processed. Ask your colorist for: mid-back length blonde hair, platinum and ash blonde highlights, face framing pieces. A purple shampoo used once a week maintains the cool tone.
The face-framing pieces here are narrow enough that they read as a highlight rather than a money piece, which gives you more flexibility with root growth. That means you can stretch the time between touch-ups to about ten to twelve weeks without the line becoming obvious. Fine hair needs a lighter hand with the bleach, so a salon appointment that includes a bond-protecting additive is worth the extra time in the chair.
Collarbone Layers With Blonde Face Framing

A dark brown base with prominent blonde face-framing highlights and a side parting lands squarely in the transitional-season category, useful when you want brightness without a full balayage commitment. The collarbone length with soft layers keeps the weight off the ends, so the wavy blowout holds its shape through a workday. The side parting makes the lighter strands fall asymmetrically, which softens square and oval face shapes equally well. Ask your colorist for: collarbone length with soft layers, dark brown base, blonde face framing highlights. A texturizing spray on damp hair before air-drying gives you the same wave pattern with less heat.
Mid-Back Mushroom Brown With Caramel Face Framing

Caramel face-framing highlights on a mushroom brown base are subtle until they catch the light, which is exactly the point. On thick, wavy mid-back length hair, the challenge is keeping those lighter pieces visible instead of swallowed by the density. The loose, flowing waves and middle parting help the caramel strands sit forward, but daily styling is required to prevent them from twisting behind the darker sections. Ask your colorist for: mid-back length with long layers, mushroom brown base, caramel face framing highlights. A leave-in conditioner applied to damp hair encourages the natural wave pattern.
The one real drawback is that thick hair can push the face-framing highlights toward the back of the head during sleep or brushing, so a quick re-wet and scrunch in the morning is often necessary. Without that, the dimension gets lost. The mushroom brown base has enough gray undertone that the caramel stays warm without clashing, but the highlights will need a toner refresh around the eight-week mark to keep them from drifting too golden. Trimming every ten to twelve weeks preserves the long layers and the shape.
Mid-Back Brunette Balayage With Face Framing

How do you ask for a brunette balayage that looks naturally grown out? Start with the words “mid-back length layered cut, brunette balayage, caramel face-framing layers.” That combination gives you wavy texture with lighter pieces around the face that transition softly into the darker lengths below. The caramel highlights in this version are painted slightly heavier near the front sections, so the dimension is visible even when the hair is worn loose. Ask your colorist for: mid-back length layered cut, brunette balayage, caramel face-framing layers. A texturizing spray on dry waves lifts the lighter strands to the surface.
The layers in this cut are what make the face-framing pieces land correctly: too few layers and the caramel highlights hang flat, too many and the balayage loses its gradual fade. The medium density of the hair helps the transition appear soft rather than abrupt. A trim every ten to twelve weeks keeps the layers from growing past the point where the face-framing pieces sit exactly at the cheekbone and jaw.
Chin Length Bob With Champagne Blonde Highlights

A chin length bob in chestnut brown gets its punch from buttery champagne blonde face-framing highlights, placed to catch the eye around the face. The precision matters: those bright pieces need to sit close to the part and the hairline to create the contrast you see here, with soft waves and an inward curl at the ends rounding out the shape. It suits medium density wavy hair starting at chin length, and the curtain bangs soften round and heart faces. Ask your stylist for: chin length bob, chestnut brown, buttery champagne blonde face-framing highlights, curtain bangs. This is a salon-only job; getting the placement right takes a practiced hand, so expect to book a colorist rather than attempt it at home.
Collarbone Layers With Bold Blonde Money Piece, Close-Up Take

Compared to the blended face-framing highlights on a softer lob, this collarbone cut leans hard on a bold blonde money piece against a dark brown base. The long layers and loose waves let that high-contrast strip of color do the talking, which suits medium density wavy hair starting at collarbone length. The face-framing pieces also soften square and oval faces. Ask your colorist for: collarbone length with long layers, dark brown base, bold blonde money piece. The trade-off is maintenance: that un-blended brightness demands a root touch-up and a toner roughly every four to six weeks, while the layers need a trim at eight. A texturizing spray keeps the waves from falling flat between visits.
Final Thoughts
For a subtle effect, ask for balayage highlights blended into face-framing layers. For a bolder statement, request a strong money piece or contrasting highlights around the face.
- Trim the shape every six to eight weeks.
- Tone every eight to twelve weeks to prevent brassiness.
- Use a color-safe shampoo and conditioner.
- Apply a heat protectant before hot styling tools.
Face framing highlights are a versatile way to refresh your look.